Possibly because of its unique docu-drama structure. It also feels and pulls you towards the early Wong-Kar Wai films, especially bringing back memories of Days Of Being Wild. The film calibrates the feverish embrace of a Terrence Malick film which is drenched in a Gasper Noe nightmare. Where you are at the parties but your mind is stuck with some girl that you yourself had let go. The film is essentially a testement to what it is like being young. Which is why these breakups, patch-ups, and fuckups feel more than just things as they are essentially a look back from a liberated and self-realized state in time. Time floats seamlessly in Marczak’s film. Figuring life out and falling in and out of love is merely a part of it. The twenties are mostly about a lot of things. A documentary drama of the night-time quests for pleasure via booze and drugs of a twenty-something pair in Warsaw, Poland. Playing himself, Krzysztof Baginski is Marczak’s trigger point into the lucid dreamlike life of the young. So few films ask anything of their audience, let alone anything as pressing about the nature of fiction and reality. In the film, two polish twenty-something are seen fleeting through Warsaw trying to fit into the vibrant youthful malice where loneliness feels like a curse. Powered by JustWatch Michal Marczak's All These Sleepless Nights raises about a hundred questions, each more interesting and potentially troubling than the last. Especially the part where they turn onto one another as we grow up just a little bit. On the onset itself, we understand and remember how most of the memories of our lives are from the part of our adolescence.
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